Research
Walking as a question (2021)
Research Paper:
Emerging Questions and Considerations on Leave No Trace and Walking Practices
Written for the WAC Walking as a Question Conference 2021.
Abstract: Leave No Trace is an outdoor ethics education programme that has been designed as a guiding mindset for how one interacts with and influences the natural environments. As the act of walking experiences an upsurge in participants, our collective mark on the environment and its natural processes increase. As artists, one can argue that there is a responsibility in how one’s engagements shape the culture around an activity, and as walking spreads into more fields of life and research, this consideration becomes all the more important.
This paper aims to ask some emerging questions into how walking practices could incorporate or consider Leave No Trace within the practice. To investigate this topic I will be drawing on my artistic research into walking as practice, and my experience of both becoming and working as a Leave No Trace Ireland trainer.
Contemporary Photography in a Traditional Landscape (2019)
Research Paper:
Creating Contemporary Photography in a Traditional Landscape: walking through representations in the Irish landscape
Written for the WAC Walking Art Practices Conference in Prespa, Greece, 2019.
Abstract: The island of Ireland is a place whose representations have run far wilder than the island itself. The country was under colonial rule when photography was invented, and in this paper, I am going to discuss how the defining representations of the Irish landscape were formed during this period from a romantic, picturesque, tourist gaze. Since then, Ireland has become famous for the greenness of its hills and the wildness of its countryside. I am going to examine how this imagined place has impacted how the landscape is seen, experienced, and continually represented.
The unwritten rules of wild camping (2018)
Personal Research:
The Unwritten Rules of Wild Camping
Published 2nd July 2018 on the Tough Soles Blog.
Extract: I’ve been thinking about the topic of wild camping, and wild spaces in Ireland for a while, trying to decide what the best way to approach a discussion about it is, and share our experiences.
People have asked us about our camping - do you camp, where do you camp, why don’t you show your campsites in videos more, etc. Wild camping is one of my favourite things about this trip, and it’s also one of the things that causes me the most anxiety. In Ireland there are no snakes, no bears - in fact pretty much no wild animals or plants that are going to harm you. The thing that scares me the most when camping are other people. No matter how many jokes Irish people make about “living in the middle of nowhere”, the Irish countryside isn’t all that remote most of the time. Which makes it tricky for me to feel comfortable throwing up the tent on a pretty lake shore and sitting in the evening sun… What I'm hoping to create is a helpful guide to other adventurers and ramblers, who have been wandering in the same grey areas as me around hiking and wild camping.
UnderGrad Research (2016)
For my BA in Photography I wrote a thesis looking at representation in National Geographic’s Instagram. I titled the piece The Poetics and Politics of Imagery: National Geographic's representation of place through Instagram. It is not perfect or rigorous research, but it is where it all began. You can find it on my blog, beginning here.
Abstract: The gaze of western photography has shifted; while imagery is still produced to refer to the ‘otherness’ of the people from a non-Western society, is no longer the reason the audience consumes the photograph. Exploration and travel photography has now become almost exclusively about the explorer, about the westerner building their identity, and the surrounding country and culture become nothing more than a backdrop.
In this thesis I examine the change in representation of space and place in imagery published online. To do so I analyse the impact of social media on the genre of exploration and travel photography, specifically studying the imagery distributed on National Geographic’s primary Instagram account. I discuss how ‘representation’ develops cultural meaning using the work of Stuart Hall and Edward Said, and reviewing how digital media has evolved. I then conduct a content analysis of a sample of the @NatGeo Instagram account. I draw upon Jane Collins and Catherine Lutz’s previous content analysis of the print editions of National Geographic from 1950 - 1986. Expanding some of the results of the content analysis, I finish my analysis by looking at how the ‘West’ uses images of the ‘non-West’ to construct identity.